Tamacú is the name of a peculiar character from the Mexican Pacific coast able of taming crocodiles. He is also the inspiration that gave name to an emerging one-man project that takes the form of ancestral alien and arises after an experimentation that fused tribal sounds with rhythm machines. This, opened a gap that, allowing him to travel through time and space collecting sounds of different terrestrial and interplanetary tribes.
The influences on ‘Crónicas de un Alienado’, the Mexican’s debut album – range from sacred texts such as The Bible and novels by Bradbury, Vonnegut and Asimov to films such as ‘2001: A Space Odyssey’ by Kubrick.Nuances from all of these permeate throughout the lyrics and sound to create an exogenous and apocalyptic mood.
Today we take a look back 18 years, to recall a jewel from legendary Mexican duo Plastilina Mosh. Founded in 1996 by Jonas González and Alejandro Rosso, the band released their second album “Juan Manuel” in 2000; a 13-track masterpiece, the album features a diverse range of sounds that make it almost impossible to classify by genre, mood or language whatsoever, with lyrics in English, Spanish, German, Italian and Portuguese.
The journey begins with “Nordic Laser”, an entirely instrumental krautrock piece, perhaps the simplest piece of the album before the madness is unleashed; the grooves of “Boombox Baby” and “Bareta 87” give the album a retro dancefloor sensation, drawing on Giorgio Moroder-esque richness, while “Shampoo” and “Aropador” are subtle and seductive and the likes of “International Stereo (Bassass)” and “Let The Speaker Speak” demonstrate a raw aggressive energy.
A classic record that is powerful, unpredictable, and truly timeless.