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Mexican trio Meth Math, comprised of vocalist Angél Ballesteros and producers error.error (Efrén Coronado) and Bonsai Babies (To Robles), share their exceptional EP ‘Pompi’. Featuring previously released cuts ‘Perreando Y Llorando’ and ‘El Vals De La Piedra’, the project is an evocative and captivating take on the three-piece’s refreshing take on reggaeton. Dive into the striking EP here.
Tamacú is the name of a peculiar character from the Mexican Pacific coast able of taming crocodiles. He is also the inspiration that gave name to an emerging one-man project that takes the form of ancestral alien and arises after an experimentation that fused tribal sounds with rhythm machines. This, opened a gap that, allowing him to travel through time and space collecting sounds of different terrestrial and interplanetary tribes.
The influences on ‘Crónicas de un Alienado’, the Mexican’s debut album – range from sacred texts such as The Bible and novels by Bradbury, Vonnegut and Asimov to films such as ‘2001: A Space Odyssey’ by Kubrick.Nuances from all of these permeate throughout the lyrics and sound to create an exogenous and apocalyptic mood.
Altoparlante is a music project formed by Adrián Rentería and Ernesto Natarén that originates from Mexico City. Founded in 2017, the duo’s sound is mainly composed of Latin rhythms and harmonies fused with electronic intonations. Ernesto, who studied percussion in Cuba, is in charge of the melodic and rhythmic aspect of the music, contributing the “organic” element, while Adrián, an audio engineering enthusiast, takes charge of the electronic and technical side of the project.
Influences range from the funk of James Brown, through traditional Cuban music, to electronic music in general. The musical constant in the songs is the use of Latin percussive instruments (conga, yembé, batá, timbaes), metal section (saxophone and trumpet) and analogue synthesizers to create the harmonies. All of which can be heard in their latest single, the smooth and groove-inflected ‘Ando Chilango’.
Born parallel to the 2016 US presidential election in response to xenophobic declarations and actions against Latin immigrants, Tulengua identify themselves as “a bilingual hip hop supergroup from both sides of the most crossed border in the world”. Tulengua seeks to demonstrate how Mexicans and North-Americans, Spanish and English speakers, can be combined through the universal language of music to reflect the beauty of the neighbouring countries and dissolve political, geographical, linguistic and racial boundaries.
All the profits from their latest record ‘Baja Funk’ were donated to an immigrant rights organisation. With lyrics denoting awakening and conscience, the protest tone is evident, yet they maintain a message of hope and positivity; the band’s aim is to recover the humanity that unites people instead of dividing them, using music as medicine to heal the world of hatred and excessive division.
Today we take a look back 18 years, to recall a jewel from legendary Mexican duo Plastilina Mosh. Founded in 1996 by Jonas González and Alejandro Rosso, the band released their second album “Juan Manuel” in 2000; a 13-track masterpiece, the album features a diverse range of sounds that make it almost impossible to classify by genre, mood or language whatsoever, with lyrics in English, Spanish, German, Italian and Portuguese.
The journey begins with “Nordic Laser”, an entirely instrumental krautrock piece, perhaps the simplest piece of the album before the madness is unleashed; the grooves of “Boombox Baby” and “Bareta 87” give the album a retro dancefloor sensation, drawing on Giorgio Moroder-esque richness, while “Shampoo” and “Aropador” are subtle and seductive and the likes of “International Stereo (Bassass)” and “Let The Speaker Speak” demonstrate a raw aggressive energy.
A classic record that is powerful, unpredictable, and truly timeless.
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La Garfield emerged five years ago in the Mexican city of Guadalajara as the victors of a high school band contest project. The 8-piece group were originally focused on jazz, but have been adding elements of funk rock, pop and disco as their sound has progressed over their three released albums to date. The intention of the band is to spread positive and loving sensations through their music; grooving basslines, rhythmic percussion and melodic wind sections provide the idyllic bohemian sound to La Garfield’s latest release “Todo Lo Rico”, while the soulful voice of lead singer Sofia contributes latin flavour and pure uplifting vibes.
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In 2016 Mercedes Nasta, former vocalist of Mexican electronic rock band Disco Ruido, undertook her solo adventure. Creating her own downtempo, hypnotic brand of cumbia (the carribean-infused folk music of northern Latin America), Nasta took the reins of the project as she developed her production skills; this, combined with her deep poetry, soft voice and the collaboration of gifted musicians under her direction produced a masterful project inspired by basalt, the form of cold lava from which the album takes its name. ‘Basalto’ is a experiment, record with a soulful, psychedelic touch that whispers a nostalgic and mystical lullaby, exploring a range of themes including architecture, internal transformations and pre-hispanic art.
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Mexican producers YOGUI and Dan Solo, members of the band Technicolor Fabrics, collaborated to give rise to a more dramatic sound in ’16: 20′. Released back in 2014, the single is characterised by a marching rhythm, imposing guitars and grooving synths, accompanied by lyrics describing breathless vertigo.
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Omar Banos, better known as Cuco, is a teenage prodigy. In May, the 19-year-old chicano producer already delivered his third album: ‘Chiquito’, a record that floats through the movements of summer love. With uniquely calibrated synths and lyrics sung in both English and Spanish, his deft mixture of R&B, hip-hop and psychedelic pop has won him the support of Kali Uchis, Kevin Abstract and Steve Lacy, not to mention his loyal band of fans known as “Cuco Puffs”, who have turned him into something of a modern day dream-pop icon.