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Egypt via Dubai artist Adham Bayoumi asks Bayou brings some smooth vibes on ‘Moonlight’, a brilliant single which dropped towards the end of 2019. The twinkling, bass-heavy production coupled with Bayou’s slick vocals creates a super chilled out atmosphere, one that find yourself vibing too from the get go. With ‘Moonlight’, as well as previously released singles like ‘fine’ and ‘city style’ (which can only be found on his SoundCloud), Bayou shows why he’s one to watch.
Consider yourself introduced to Thailand based singer, songwriter and producer Numcha, who dazzles with her sparkling debut single ‘Keep Cold’. Accompanied by an equally charming music video directed by Kero, the shimmering single shines brightly with Numcha’s elegant vocals gliding across the serene soundscape. The perfect song to bring warmth to your soul on these chilly days.
Lebanese newcomer Laeticia Acra aka Japan, Man shares her beguiling and utterly enchanting second single in the form of ‘The Law’. At just fifteen years of age, the rising singer/songwriter has already impressed this year with debut offering ‘Stop Staring’, a song that brings to mind the pop sensibilities of Clairo with a bit of funk thrown in for good measure. On ‘The Law’, Acra continues the groove fest as solid drums are joined by fabulous guitar lines that allow Japan, Man’s honeyed tones to sound that much sweeter.
Mumbai based producer Sandunes shares an eclectic and meditative EP in the form of ’11:11′. Opening with the clattering electronics of lead single ‘Eleven:Eleven’, which features vocals from Landslands, the five-track EP is a free-flowing journey of magical sounds. From sparkling synth melodies and sharp notes that bounce, glide, trickle and speed across on subsequent tracks like ‘Shift’ and ‘Glock’, Sandunes, real name Sanaya Ardeshir, sets herself apart as one of the most exciting musicians and producers to come out of India.
Japanese artist and composer Noah unveils the striking visual for ‘像自己’, the latest cut from her forthcoming new album titled ‘Thirty’. Directed by John Smith, the video wonderfully captures the track’s energetic and vibrant atmospherics as footage taken by Takehito Goto and Noah is spruced up with dazzling effects and filters. Serving as the follow up to previously released single ‘メルティング・ブル’, ‘Thirty’ is shaping up to be quite the stunner.
Having recently announced that he’s signed to Mass Appeal India (the New York based label co-founded by Nas), Indian rapper DIVINE (aka Vivian Fernandes) has shared the explosive lead single from his forthcoming debut album ‘Kohinoor’. The single, of the same name, features production from iLL Wayno who serves the perfect backdrop for DIVINE to lay down his fiery verses as he raps about his past experiences shaping his present life – a diamond (‘Kohinoor’ is the name of the largest cut diamond in the world) in the making.
Twenty year old rapper Spitfire from Madhya Pradesh first encountered hip-hop when he was in the 11th grade. His debut EP ‘Paathshala’, released on IncInk Records, talks about his own life story and how he found the strength to break through stereotypes and find his own identity. An interesting spoken-word poetry approach layered with an offbeat and ambient atmosphere suits Nitin’s poetic chops the best. The underlying theme of the EP revolves around how hip-hop and rap as an art form has added a lot of value in his life making him the person that he is today and how he would like to exercise this medium to continue to teach and inform his audiences. With vigour and boldness in his voice and word play ‘Paathshala’ can be quite accessible to tune into at a club or at home.
‘Jaago’ is one of the most critically acclaimed albums to have been released by an Indian independent artist this year. Lifafa is the solo project of Suryakant Sawhney who is also the frontman at Peter Cat Recording Co. that came to life as a part of a quest to find his identity. Adopting a more organic approach, the album builds up as a live set to an audience would, the tracks start off slow with prolonged harmonium and gradually build up to more danceable disco worthy grooves. A perfect combination of vintage soulful Bollywood in a modern electronic setting bridges or eliminates the gap between the highly commercial movie industry and the independent music scene.
Mumbai based producer and vocalist Your Chin has recently dropped new single ‘Horticulturist’ his first release in three years. One of India’s most seasoned artists, he has never failed to impress listeners with his whimsical take on electro-pop. His music often comes across as effortless mood music, but there is a solid groundwork of talent and aesthetic sense that supports it all. Rich layered beats with catchy choruses giving out a sombre message disguised in feel good metaphors, resulted in a multifaceted sound totally unique to him. Highlighting a contrast when listening to music, that of being a joyous experience to thought provoking the artist returns to his sonic roots making this the first of many releases lined up for the year.
Influenced by Flume, Mura Masa, Odesza and Mr. Carmack; young electronic producer Chrms (pronounced Charms) has been experimenting with design, film and music since he was nine. Not subjected to any genre, his productions mainly vary from indie dream pop to lush, ethereal, bass heavy electronic music. Garnering a secure hold within the independent music scene in India, his debut EP ‘Lover Boy’ takes one through the diverse genres that have been explored by this young producer. Bone Soda ft Rae is a smooth composition infused with distinctive synth elements making for a tune one can groove to on the dance floor. The contrast of the rap and the subtlety of the production makes for the perfect balance merging two different worlds together.
Urban ecologist, Aditi Veena aka Ditty gracefully transitions between spoken word and singing in her debut album ‘Poetry Ceylon’. Inspired by the natural world and people on the island of Sri Lanka, the album is an earthy, diverse and experimental journey of music that offers listeners an invitation to feel all that is beautiful and heart wrenching about being a human. There is a natural ease in her delivery of lyrics mainly written around her knowledge of the earth, of cities, of her own self and the ruin of nature coupled with melancholic vocals. The album is recorded by Shantanu Pandit and arranged by Dhruv Bhola who have added a touch of finesse to her captivating voice rendering an irresistible charm.
If you’re looking for a band that will brighten up your day, look no further than Japanese trio Sunny Day Service. With a handful of stellar releases under their belt over the years, the Tokyo based band have continually impressed with their enticing and funk-filled tunes. That’s exactly the case with ‘イン・ザ・サン・アゲイン’ (‘In the sun again’), which is taken from their 2018 album ‘the CITY’ and serves as the perfect soundtrack for the summery months to come.
Nineteen year old singer-songwriter, Karshni finds comfort in playing the guitar, experimenting with production and incorporating electronic elements in her songs. Her music is a reflection of how she feels in the moment and is usually the result of impulsive lyricism at a very emotional time. Her single ‘Fomo’ is characterised by a haunting melody, that is slightly muted to signify the fear of missing out which is faced by a large part of the youth today. From popular vices to parties the whole paraphernalia of what it means to be a teenager, the popular youth slang is a depiction of the actual fear that suffocates the artist.
Formerly known as June Marieezy, Filipino-American ((( O ))) approaches music with a sweet, soft tone and an equally mesmerising synth beat. Her latest EP, ‘((( ~ )))’, contains three tracks, each showcasing its own blend of R&B, hip-hop, and electronic sound. The persona ((( O ))) emanates is also particularly remarkable. The artist has also dedicated her craft to releasing ‘moonbeats,’ in which she releases new tracks every full moon for the next 12 years. And to anyone who’s wondering: no, her stage name is “not pronounceable.”
‘Floated By’ is the latest release by New Delhi based band Peter Cat Recording Co. from their forthcoming album ‘Bismillah’. Coupled with a brilliant music video capturing the lead vocalist’s wedding, there is a realness and lack of pretence as opposed to the grandeur observed in Indian matrimony. Doing what they do best, greeting the listeners with a groovy horn aided piece accompanied by uplifting guitar riffs and basslines, the intent of the album is taking the audience through a culmination of their journey over the past 8 years. One can’t help the light hearted fuzzy feeling on hearing the spirited vocal performance filled with exuberance yet holding a strong emotion of melancholy.
Three Oscillators consists of Brij Dalvi and Avit Rane who strive to give their songs an identity and character of their own while narrating stories through this wonderful, limitless medium we call electronic music. Their sound leans toward, but doesn’t limit itself to genres like post-dubstep and glitch hop, sometimes with a slight deviation towards bass music. Having released two EPs, the duo aim to make a lasting impact and have more ears listening to their music in the coming years. ‘Drowning’ is a collaboration with singer song writer Karshni who often makes all her music via an app called Bandlab where the early version of this track was found was built upon adding the finishing touches to the production.
‘Mere Gully Mein’ represents the emergence of real Indian hip-hop. DIVINE and Naezy are the new age desi rappers who talk about all socio-political-economic issues governing the country which is quite a change from the superficial and aspirational hip hop that surrounds us today. With an intent to change the masses’s misconception and rewrite the history of Indian hip hop the duo’s authentic and original story is being identified by people all over the world. Hailing from the city’s chawls and gullies to now making waves not just in the country, but also internationally these two rappers and their rap-to-riches project has also been an inspiration for 2019 released Bollywood movie, Gully Boy.
Born and raised in Shillong, Meba Ofilia finds her roots as an artist in Hip-Hop and RnB. Her second feature ‘Done Talking’ with rapper BigRi bagged her the Best Indian Act Award at the 2018 MTV Europe Music Awards. Her love for Hip-Hop and RnB grew through the discovery of American-African gospel music eventually leading her to discover artists such as Lauryn Hill, Aretha Franklin, Alicia Keys and Tori Kelly who continue to be her main influences. ‘Lady Bizz’ talks about self-love laying importance on women issues that not many men understand and how one woman empowering another is a powerful feeling. The track is featured as a part of the first music release for She Said So (India) in collaboration with Azadi Records released as a Women’s Day Special on March 8th 2019.
Meet Elephant Gym, a Taiwanese band who create bass-driven, math-rock that’s packed with groove and grit. Following up from their slew of singles over the past year or so, the three piece band, comprised of Tif on bass, Tell on guitar and Chia-Chin on drums have shared ‘Moonset’, a collaboration with YeYe. Let yourself float away into the dreamy soundscapes of the track as those soothing, cotton candy-like vocals smother you from start to finish.
Raghav Meattle, a singer-songwriter from Mumbai released his debut album ‘Songs From a Matchbox’ through a crowd funded campaign in June 2018. Being influenced by artists such as Jack Johnson, John Mayer and George Ezra, the 26 year old describes his music as “vocal first”. Although his vocals and the acoustic guitar take centre stage, the artist has adapted an all round approach by also giving emphasis to the lyrics and melodies.
Bagging one of the semi-finalist positions at Season 2 of ‘The Stage’ – India’s first reality show dedicated to music, Raghav was also nominated for the Radio City Freedom Awards under Best Pop Artist category. With a folksy and country setting, his graceful vocal delivery and heart warming lyrics touch across different topics – from his frustration of the constant chatter at bars during a live performance to the Tinder culture and his take on relationships. The album has been co-produced by Zain Calcuttawala and mastered by Frank Arkwright from Abbey Road Studios, London.