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Weste was born after the encounter of two great exponents of the Latin American music scene. On one hand, Clara Truco, Argentine member of Femina, and on the other, Igna Perez, from the neighbouring country of Uruguay, member of Mushi Mushi Orchestra. What began as a simple game involving folkloric instruments of the world with electronic experimentation, ended up consolidating in 2014, after the addition of three musicians from several of the best Latin-American music projects: Gonzalo Garcia from Budha Sound on the bass, Pedro Bulgakov from Diego Frekel and La Cosa Mostra on the drums, and Fermin Echeveste from Morbo and Mambo on the winds.
Weste rounded off 2018 with the release of their latest single titled ‘Razones’, a peak into their third and soon to be released LP. Exploring a more jazzy sound with remnants of hip hop, slow tempo and a light groove which generate a chill atmosphere, where the trumpet appears as the key player, the pair have delivered an absolute gem.
In the Aymara language, “Churupaca” is a giant adaptable, multi-talented insect that can swim, fly, jump and hunt, amongst other skills; thus, the Buenos Aires neo-orchestra found the perfect name for their project. Formed by a diverse group of musicians of various disciplines, Churupaca stand out for their acoustic sentimentality and the romanticism of their lyrics. Together, members Juana, Fefo, Ricardo, Darío, Joaquín and Pablo gave birth to their second record this year, entitled “Antes de Mañana” (“Before Tomorrow” in English). The fifteen-track masterpiece guides us on a journey through countless textures and styles from across Latin America and the world, with folk and soul influences alongside classic elements of the tango, burlesque and waltz. The album’s instrumental exuberance is defined by the dramatic qualities of the wind and string sections, the sumptuous accordion melodies and Juana’s emotive, longing vocals, creating a rich, multi-layered body of work to be savoured.
Tomás Justo delighted listeners this year with his debut solo album ‘Ronco y Bruxo’. A former member of successful acts Onda Vada and Michael Mike, the composer and vocalist moved away from constant touring life to create his most sincere and romantic work to date. In addition to taking care of the bulk of the composition and production of the album’s 11 songs, Justo also handles most of the instrumentation, playing guitar, bass, synthesisers and a range of analog and digital percussion, resulting in a unique blend of electronic folk and progressive pop.
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Last year, Buenos Aires psychedelic rock/blues band Los Espíritus released their third album ‘Agua Ardiente’. A few months later, while still touring the album, they released a three track EP called ‘Guayabo de Agua Ardiente’. The group describes this extension as containing the songs that were “too spaced out to be inserted in the official album but also too good not to be shared”. This EP ends with the aching guitars and deep, rasping vocals of ‘Ruso Blanco’.