Agar Agar – The Dog and the Future

October 2

After meeting at fine art college, Clara Cappagli and Armand Bultheel quickly bonded over their shared love of trance music, and began writing music together as Agar Agar, leading to the release of their breakout 2016 EP ‘Cardan’. Since then, they’ve built a dedicated fanbase through their distinctive sound and impassioned live shows, and they’ve consolidated this ascendance on their debut full-length album ‘The Dog and the Future’. Singer Clara Cappagli’s delicate vocals flits over sultry, down-tempo disco beats, progressing from their established dancefloor territory into darker introspective themes as her lyrics tackle ideas of virtual reality and simulated life. Sonically, the album is filled with fat, squelching synths and booming drum machines, condensing the murky energy of classic techno and electro to build a mysterious after-hours atmosphere driven through by indie pop structures and melodies. From brooding opener “Made” to standout tracks like the sinister “Fangs Out” and irresistible hit “Lunatic Fight Jungle”, the record is filled with unique gems, marking the body of work with a depth that underlines the development of this truly original act.

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Evvol – Song For The Broken Hearted (Rollin’)

September 26

Hailing from Ireland and Australia but based in Berlin, Evvol’s music is irresistible. With a glimmering cosmic sound driven by ethereal 80s synths and dark rock’n’roll grooves, the duo comprise sonic influences of electronic pop and disco and political themes of feminine sexuality and queer experience to create their own distinctive style. Their latest visuals underline the inherently danceable energy of their music, as moonlit bodies twist and contort to single “Song For The Broken Hearted (Rollin’)”.

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Tirzah – Devotion

On her debut full-length album ‘Devotion’, Tirzah establishes herself as one of the UK’s most intriguing artists. Entirely produced by the esteemed underground producer Mica Levi (aka Micachu), the record builds on Tirzah’s previous dance-infused releases by introducing elements of contemporary alternative RnB, creating a distinctive other-worldly atmosphere through warped samples and looped percussion led by her husky vocals. Her distinctive candid delivery is at once warm and mysterious, driving each track as her melodies are pitched up, multiplied and twisted to create a sound that is truly original in its tripped-out, ethereal intimacy. This graceful electronic sound is highlighted on lead singles ‘Gladly’ and ‘Affection’, but each of the 11 tracks here introduces a fresh dynamic, resulting in a record of genuine depth that showcases the 30-year-old’s versatility and natural chemistry with long-time friend and collaborator Levi.

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Leon Vynehall – Nothing is Still

Leon Vynehall made his name crafting deep, elegant contemporary house, becoming one of dance music’s most talked-about names in the process. However, his latest full-length effort ‘Nothing is Still’ sees the British electronic producer move away from club-oriented music into broader, progressive conceptual territory; it is perhaps notable that despite the success of previous projects ‘Music for the Uninvited’ and ‘Rojus’, he describes this release as his first proper debut album. Following the narrative of his grandparents’ emigration from London to New York in the 1960s, Vynehall vividly scores their journey through rich, instrumental compositions, expertly harnessing his gift for percussion with a gorgeous musicality alongside soaring synths to create a fluid, cinematic piece that has as much in common with classical symphony and ambient electronica as it does with booming house or techno. One of the year’s most adventurous, forward-thinking albums, this is one to be savoured.

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Jack Grace – IF I TREMBLE

Jack Grace’s unique compositions have been making waves on the Australian underground scene for a couple of years now, and the electronic singer/producer has consolidated on this momentum with the release of his latest EP ‘IF I TREMBLE’. Fusing classic piano soul with elements of UK bass and footwork production, the distinctive sound of brooding, melancholy tracks like ‘us’ and ‘waiting’ showcases Grace’s ability to create forward-thinking, multi-layered music with a chilling emotional touch.

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