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Berlin-based, Argentinian producer and feline fanatic Catnapp combines rap, breakbeat, drum and bass and more to create an intense, nostalgic atmosphere. Fat beats are driven by lyrics confessing the deepest childhood memories over huge, compressed pads and synths, resulting in a unique, original sound. ‘No Cover’, her most recent release, is an aggressive two-track EP engendered by feelings of deceit, disappointment and anger. Heavy breaks and broken glasses give ‘No Cover’ an air of invincibility, belligerence and empowerment.
Mexican producers YOGUI and Dan Solo, members of the band Technicolor Fabrics, collaborated to give rise to a more dramatic sound in ’16: 20′. Released back in 2014, the single is characterised by a marching rhythm, imposing guitars and grooving synths, accompanied by lyrics describing breathless vertigo.
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The daughter of a renowned exponent of Argentinian tango, Juana Rosario Molina was raised with classic record collections and guitar lessons. In the mid-70’s, due to military disputes, the Molina family fled the country to go into exile in Paris, where teenage Juana’s musical scope expanded vastly. Nonetheless, when Juana was able to return to her native Argentina, she followed her actor mothers steps by beginning a television career. Her popularity rose exponentially and within three years she already had had her own successful comedy show, airing across Latin America and making her one of the most popular comedians in Argentina. Suddenly, at the peak of her fame, Juana took the hard decision to leave her successful work as an actor in order to pursue a career in music. After multiple releases, in 2017 she delivered her seventh and most solid LP ‘Halo’, which derives its name from one of the most famous folklore myths of Argentina and Uruguay; a halo of “evil light” that floats above the ground where bones were buried. The record evokes the occult in its music as much as in its lyrics. As in previous deliveries, her sound oscillates harmoniously between nature, folklore, humanism and fearless electronic experimentation.
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Omar Banos, better known as Cuco, is a teenage prodigy. In May, the 19-year-old chicano producer already delivered his third album: ‘Chiquito’, a record that floats through the movements of summer love. With uniquely calibrated synths and lyrics sung in both English and Spanish, his deft mixture of R&B, hip-hop and psychedelic pop has won him the support of Kali Uchis, Kevin Abstract and Steve Lacy, not to mention his loyal band of fans known as “Cuco Puffs”, who have turned him into something of a modern day dream-pop icon.
In the midst of territorial conflicts, making protest music in Central America can be a dangerous game, but Guatemalan sociologist, poet, actress, rapper and activist Rebeca Lane has stood strong against oppression as a passionate supporter of women’s rights and the preservation of Latin American heritage and natural resources. In the Mayan worldview, Obsidian – the precious stone that gives its name to her most recent album – represents the protective energy that helps to cut the negative and unveil mysteries. It is a stone used for healing, but also for war. This new album blends powerful rhythms and traditional instruments with powerful lyrics and the essence of boom-bap.
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Born in NYC but of Colombian roots, Crudo Means Raw stands out as one of the most exciting members of the golden generation of Colombian rappers. Both an exceptional MC and producer, Crudo adorns his beats with elements of jazz and soul, spitting raw lyrics that tell stories from the streets of Medellín.
‘Sangre en el Pool Party’ begins with the voices of Tanga, an old friend of Crudo, who one day casually passed by his studio. They left the track rolling, turned on the microphones and started talking, and that’s how this brilliant track was born.
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In Andean culture the most important festivity in the calendar corresponds to the summer solstice of June 21st, and it was on this day that Ecuadorian singer Huaira chose to release her first solo EP ‘Ñuka Shunku’ (“I am pure heart”). From the centre of the planet Quito on the day dedicated to the sun, Huaira (meaning “wind” in the Quechua language), the project opens with ‘Semilla Solar’ (“Solar Seed”), a song loaded with timeless Andean elements and beautiful vocals that seems to bring a message from the earth itself.
Last year, Buenos Aires psychedelic rock/blues band Los Espíritus released their third album ‘Agua Ardiente’. A few months later, while still touring the album, they released a three track EP called ‘Guayabo de Agua Ardiente’. The group describes this extension as containing the songs that were “too spaced out to be inserted in the official album but also too good not to be shared”. This EP ends with the aching guitars and deep, rasping vocals of ‘Ruso Blanco’.