London based producer Palmistry rises above the surface with ‘Water’, his first taste of new music since his spellbinding debut album ‘PAGAN’ which dropped back in 2017. Serving as the lead single from his forthcoming sophomore album ‘Afterlife’, the SOPHIE-produced track is another delight which drips and trickles with its subtle electronic touches as Palmistry’s comforting tones are like soft ripples that pervade the soundscape. Check out ‘Water’ here and be sure to look out for ‘Afterlife’ which is out in May.
The city of Medellin, Colombia does not cease to amaze us for being an incessant talent incubator and linker for all genres. Two of these prodigies, Pablo and Alejandro met in 2007 at university studying music and started making electronic music using a computer, a controller and a guitar. Shortly after, Sara joins in the voices to consolidate a character who likes raw sounds but at the same time is an ally of machines and who’s sound reflects moments of contemplation, noise or can even induce movement of the body; all this accompanied by a female voice that guides the melodic lattices that shape its speech. This character is called Mr. Bleat.
In an exclusive interview, Alejandro comments: “almost always Pablo and I propose a small instrumental passage, a beat, something that has that key moment of the song, and from there Sara begins to provide vocal melodies. Finally we structured the theme and wrote the letter to six hands. We think about a theme and then we build the narration among it”. Their influences beyond being specific musical referents, come from the experiences of each one that, at the moment of expressing them in the form of a song, tends to result in a theme to a certain extent danceable but with a bit of nostalgia or darkness. Mr. Bleat’s latest release, ‘Del Tiempo Perdido’, along with ‘El Buho’, are just the first steps that mark a new path towards what will be a new album. These two singles make part of the sonority that the group reached when creating the album ‘Los Lobos’, a palette of more electronic sounds, synthesizers, rhythm machines and a sensation of dance-able darkness in which we still feel comfortable.
Following up last month’s ‘Restart’, London based singer-songwriter Szjerdene has shared ‘Rain’, another sparkling slice of electronic-pop taken from her forthcoming ‘TRACE’ EP. Spearheaded by a powerful electronic beat sprinkled with delicate synths and a serene string section, it’s Szjerdene’s pristine voice that rises above and shines brighter than ever. Piercing through with such clarity, Szjerdene’s voice effortlessly rides the wave of the energetic production as she sings about the overwhelming and numbing emotions that arise from falling in love.
The world has waited for Robyns’ comeback after being M.I.A. for almost eight years. Even though the physical absence has been a fact, she’s made sure that dance floors all around the world would always be playing her eternal dance tunes that are perfectly decked with powerful lyrics about heartbreak and tough love.
‘Honey’ is the comeback album of the decade. ‘Honey’ is the soundtrack of our lives. ‘Honey’ is the last piece of the puzzle. Released at the end of last year, the 9-track masterpiece, which features stand out singles like ‘Missing U’ and the titular ‘Honey’, sees Robyn embody the power of self love and accept the pain and joy a person goes through in life.
Tokyo based singer/songwriter AAAMYYY brings more of her refreshing blend of soulful, electronic gems in ‘BODY’, her new released and follow up to last year’s ‘MABAROSI WEEKEND’. The 10-track project, which features contributions from the likes of Computer Magic, MATTON, JIL and CONYPLANKTON, further showcases the artist’s inviting and silky smooth vocals as they coarse through a concoction of emotive atmospheres spearheaded by lush electronics.
Shrouded in mystery, London based duo Jadu Heart first introduced themselves with ‘Wanderflower’, their magical debut EP which was then followed up by the equally impressive and ‘Ezra’s Garden’. In the lead up to their long-awaited debut album, Dina and Faro have now shared ‘Purity’, another dazzling affair which sees the pairs soothing and soulful vocals work through a spirited electronic soundbed.
The Theory For Our Revenge is the artistic project of Japanese fashion stylists, producers and visual artists: COLD FAITH and JHas. Last month, the duo unleashed their breathtaking debut single ‘朧(OBORO)’, an electronic number that’ll have you on the edge of your seat from start to finish. From its cryptic lyrics to the equally mesmerising and unsettling production, ‘朧(OBORO)’ is a sonic powerhouse that serves as a wonderful introduction to the pair’s musical output.
With his forthcoming studio album ‘Nosso’ just around the corner, Portugal based producer Branko has shared ‘Hear From You’, a collaboration with Sango, the Soulection-affiliated Seattle producer and London songstress Cosima. The single follows up last year’s equally enthralling cuts ‘Stand By’ (feat. Umi Copper) and ‘Over There’ (feat. Miles From Kinshasa). Branko and Sango combine forces on the production which bursts with hand-claps, subtle blips and jarring synths whilst Cosima’s richly textured vocals are smothered on top.
London based singer, songwriter and producer Dan Bartlett aka Dan D’Lion stepped into the spotlight in style with his Tame Impala and N.E.R.D-influenced debut single “Give What You Take” towards the end of last year. The track’s vibrant atmospherics are present in follow up single ‘~treading water~’ which boasts again brings together his colourful vocals with a dazzling array of electronic pulses infused with sizzling synths. ‘~treading water~’ is a magnificent example of alternative pop packed with refreshing ideas, cementing Bartlett as one to watch.
Parisian based artist Ehla brings her soulful, silky voice to a stirring upbeat instrumentation on ‘L’Antidote’, which is co-produced by Enzo Serra. The French pop vocalist channels the 90’s wave back through a groovy track that is full of hope. Combining nostalgic vibes with a modern electronic touch, the singer creates her very own DIY sound which is brimming with an infectious energy. Serving as the first single of her forthcoming new album, ‘L’Antidote’ is a brilliant taste of what’s to come from the singer.
Swedish artist, songwriter, producer and visual pioneer ionnalee is known for being one half of the electronic music duo iamamiwhoami. Since 2010, ionnalee has released a staggering five audiovisual albums and installations on her own label To whom it may concern. In early 2018, she debuted as a solo artist with the release of her album and musical film ‘EVERYONE AFRAID TO BE FORGOTTEN’ which was followed up by a sold out world tour. In October 2018, ionnalee became the second person ever to perform at the renowned night club Berghain in Berlin. ‘EVERYONE AFRAID TO BE FORGOTTEN’ is an electronic, beat driven, dance floor banger that commands the listener’s attention with its haunting production and the singer’s mesmerising vocals. The visuals too, offer an invitation into ionnalee’s world of mystery, emotional vulnerability, creativity and mind blowing imagination.
Paraphoniks was formed when Shatrunjai Dewan and Sid Shirodkar began to explore their shared love for modular synthesizers. In 2016, the duo promoted their second release, ‘Yarns’, with a string of audacious surround-sound shows that featured their music in an 8.1-channel incarnation. Since then they’ve continued to evolve into an increasingly genre-agnostic project, embracing various forms of electronic music with a unique sense of sonic experimentation.
Their latest offering, ‘Silhouettes’, was conceived during a two-week writing stint in the Himalayan hills. It retains the synth-heavy sound the duo are known for, while elevating the production levels, treading more expansive musical territory and conceptual ground. Featuring collaborations with singer-songwriter Azamaan Hoyvoy and drummer Sahil Shah, the album’s non-linear narrative takes inspiration from various modern-day cults and quasi-religious movements.
Dani Terreur invites you travel through his very own heart on ‘Etoile du Kashmir’, a dreamlike electro-pop effort that evokes beautiful summer nights pursuing hedonistic quests. Between artificial pleasures and passionate love, the Parisian artist tends towards an absolute fantasy of romance while being caught up by a very modern cynicism.
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Swedish sisters Jenny and Cecilia Vaz are producers and singer/songwriters with a playful attitude towards music and a fearless mindset. Over the past two years, the pair have released music as VAZ through their own label Kinship Music, which led to performances at festivals around the globe. Their 2017 two-part album ‘Necessary, Pt.I & Pt.II’ featured music inspired by their Cape Verdean background with African drum beats, electronic instrumentals and pop fusion melded together to create a distinctive, atmospheric sound.
The child of a French father and a Venezuelan mother, Sophia Helena Fustec Briceño is a collage of cultures. A one-girl-band who composes, writes, sings, plays and produces everything in her home studio, her energetic creations convey common messages of faith and authenticity. Frequently known as La Chica, she affirms that her influences are widespread; when she’s not dedicated to her productions, she listens to sounds ranging from late-era Beatles and Radiohead to Caribbean artists such as Fania All Stars and Rubén Blades. Currently residing in Paris, international tours and concerts have been recurrent since the formation of her project in 2014. Her latest single “Sola” is an ethereal journey, as looped vocals and driving synthesisers build to a powerful electronic crescendo.
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Today we take a look back 18 years, to recall a jewel from legendary Mexican duo Plastilina Mosh. Founded in 1996 by Jonas González and Alejandro Rosso, the band released their second album “Juan Manuel” in 2000; a 13-track masterpiece, the album features a diverse range of sounds that make it almost impossible to classify by genre, mood or language whatsoever, with lyrics in English, Spanish, German, Italian and Portuguese.
The journey begins with “Nordic Laser”, an entirely instrumental krautrock piece, perhaps the simplest piece of the album before the madness is unleashed; the grooves of “Boombox Baby” and “Bareta 87” give the album a retro dancefloor sensation, drawing on Giorgio Moroder-esque richness, while “Shampoo” and “Aropador” are subtle and seductive and the likes of “International Stereo (Bassass)” and “Let The Speaker Speak” demonstrate a raw aggressive energy.
A classic record that is powerful, unpredictable, and truly timeless.
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Ape Echoes represent the creativity of the nascent Indian independent music scene. The brainchild of Mumbai based producers and multi-instrumentalists Nirmit Shah and Sid Shirodkar, the project sees the pair combining traditional acoustic and electronic instrumentation with experimental sampling, weaving together a complex immersive musical narrative. The duo formed in early 2016, with drummer Sahil Shah joining soon after, and their debut EP ‘Ape Machines’ was released in August 2017, moving through territories influenced by crossover jazz, electronica, noise, hip-hop, prog-rock, funk, and soul to create a distinctive original sound.
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‘La Niña Quantica’ Julián Mayorga, is a perfect example of the enigmatic Colombian producer’s ingenious, surrealist creations. The “cumbia” begins and a continued mantra that spouts: “A la niña le gusta la física cuántica (the girl likes quantum physics)”; unexpectedly, the lyrics also describe the function of the theory of perturbations in quantum mechanics. With such irreverent themes in his writing, this track from his 3-track EP “Nixon en la Playa” uses tropical elements and Andean folklore alongside progressive electronic experimentation and a somewhat black humor, the most characteristic elements of Mayorga’s sound,
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Otura Mun, an African-American musician and Babalawo (high priest) in the Yoruba religion arrived in Puerto Rico in the late nineties, and quickly positioned himself as one of the most important producers on the island. Accompanied by musicians Rafael Maya, Beto Torrens, Anthony Sierra, Yarimir Cabán and dancer Pia Love, Mun founded the multi-national project ÌFÉ, a powerful progressive synthesis of electronic sound drawing on influences from Cuban rumba, Sacred Yoruba praise songs, Jamaican dancehall, and US R&B. IIII+IIII (pronounced “Edgy-Og-Beh”) is the title of the nine-song debut album from ÌFÉ, released last year. The 45-minute ceremony combines Mun’s fluid, percussive rhythms with spiritual lyricism oscillating seamlessly between English, Spanish and Yoruba. Genre-less yet focused and clear, serene and ethereal at times and determined and powerful at others, this is a record that in spite of its high production values is as unpredictable as it is natural and raw – an astonishing piece of music from a truly unique act.
After meeting at fine art college, Clara Cappagli and Armand Bultheel quickly bonded over their shared love of trance music, and began writing music together as Agar Agar, leading to the release of their breakout 2016 EP ‘Cardan’. Since then, they’ve built a dedicated fanbase through their distinctive sound and impassioned live shows, and they’ve consolidated this ascendance on their debut full-length album ‘The Dog and the Future’. Singer Clara Cappagli’s delicate vocals flits over sultry, down-tempo disco beats, progressing from their established dancefloor territory into darker introspective themes as her lyrics tackle ideas of virtual reality and simulated life. Sonically, the album is filled with fat, squelching synths and booming drum machines, condensing the murky energy of classic techno and electro to build a mysterious after-hours atmosphere driven through by indie pop structures and melodies. From brooding opener “Made” to standout tracks like the sinister “Fangs Out” and irresistible hit “Lunatic Fight Jungle”, the record is filled with unique gems, marking the body of work with a depth that underlines the development of this truly original act.