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Cameroonian artist Kitz237 serves up a banger in the form of ‘Cutting’, the lead single from his forthcoming mixtape ‘SLEEP FOR SLIPS’. The explosive single boasts a hammering trap-inspired beat produced by Mouss and Kyla, but it’s Kitz237’s infectious and free-flowing delivery that truly hits the mark here. Stream ‘Cutting’ here and keep an eye out for ‘SLEEP FOR SLIPS’ which is set to be released this April.
Austin ‘Tay’ Iornongu Iwar aka Tay Iwar describes his music as “Afro-Fusion”, and quite frankly, there’s no better way to describe it. With his debut album ‘GEMINI’ (out via Soulection) just around the corner, the Nigerian based artist has shared ‘HOW’, a breezy and super smooth cut. Produced by DoOzyBeatz#5HVNNID, the track boasts a powerful and slick beat which serves as the perfect backdrop for Iwar’s sensational vocals to work their magic.
LOSTINSAVANNA (aka Bow James) is a rapper, producer, graphic designer and self proclaimed “art enthusiast and creative extraordinaire” from Nairobi, Kenya. A member of the O.D.D. Society, the rapper is highly involved in the East African creative sector through his audio/visual collaborations with the new wave of indie artists on a mission to shape the future of contemporary African culture. Experimenting with a fusion of psychedelic trap, LOSTINSAVANNA just dropped his debut project ‘Frequency ’95’ which he describes as “an exploration into the sonic world of chaos and euphoria” and features the fiery ‘Red Coupe’. The track’s pounding instrumentation, courtesy of Bow James and Adam Dire, serves as the perfect backdrop for the rapper’s spirited delivery and fiery flow.
Sage’s songwriting prowess wields the power of her skilful instrumentalism. Whether leading jazz-driven ballads or adding an artfully minimalistic touch to electronically-infused tracks, her music bridges the gap between the indie and mainstream cultures of Kenya’s diverse scene. Produced by her longterm partner Dillie, “Watching You” is a soulful blend of timeless melodic RnB and down-tempo trap that emphases the strength of her harmonised vocals, ahead of a delightfully unexpected twist.
MaMan’s triple-threat ability to sing, rap, and produce with equal strength mark him as one of the most notable talents to come out of Sudan in recent years. Entitled after the year of his birth, his latest album “1991” aptly represents the struggle of a young Sudanese creative fighting their way through the country’s economic and socio-political strife, a scenario that many of the marginalised young generation can relate to. Sonically, “1991” boasts genre-fusing electronic beats and diverse hip-hop flows, running the gamut of emotions as the mood shifts from uplifting positivity to brooding introspection, tied together by dark, swirling production.
Botswana born singer-songwriter Mpho Sebina incorporates hip-hop, soul, jazz, traditional Setswana music and folklore into her sound. Authentic and experimental, the self-taught musician has built a loyal audience through her signature a cappella mash-ups including Brenda Fassie with the The Fugees and Boom Shaka with Erykah Badu. She’s performed in venues across Botswana and South Africa, as well as hosting a monthly live music co-operative ‘NakedSoul Sessions’, curating a performance line-up of yet to be discovered local music and merchandisers.
Sebina released her debut EP titled Neo in October 2017 with the first single ‘Black Butterfly’ a soulful hip-hop track with sonic facets of the new generation of melancholic trap-soul. “My music is autobiographical; the stuff I’ve written is self-reflection time for me,” she says. “As a 28-year-old African woman my music is about the journey to discovering one’s self through this world. I would like to stir up that quest for self, to bring about a healing type of vibe. It’s a lot about overcoming and focusing on the personal stuff. Sometimes we get wrapped in anxiety, myself included. My music is about providing an outlet for listeners to forget.”